Najbolji fotoaparat za fotografiranje krajolika i snimanje izvanrednih prilika
Upravo smo završili našu potragu za najboljim fotoaparatom za fotografiranje pejzaža u 2022. – bilo je to zabavno putovanje!
Prilikom fotografiranja krajolika, svaki piksel je bitan – bilo da namjeravate ispisati svoje slike ili ih jednostavno podijeliti na društvenim mrežama, važan je odabir pravog fotoaparata za snimanje svijeta u punom sjaju.
Fotografiranje pejzaža tako je popularna zanimacija, bilo da ste početnik, hobist ili profesionalac, i važno je da uložite u pravu opremu za taj posao.
Naravno, vjerojatno biste mogli koristiti bilo koji fotoaparat za pejzažnu fotografiju. Možete čak koristiti i svoj pametni telefon ako želite – ipak nije potreban otmjeni fotoaparat za izradu sjajne fotografije.
Međutim, ako želite maksimalno iskoristiti te dramatične prizore, zalaske sunca i vodopade, odvojite malo vremena da saznate više o fotoaparatima koje preporučuju profesionalni fotografi pejzaža u ovom vodiču.
Najbolje pejzažne kamere u 2022.
| Slika | Proizvod | Značajke | |
|---|---|---|---|
| Sony A7R IVBEST ALLROUND |
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| Fujifilm GFX 50 VRLO PREPORUČANO |
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| Canon EOS 5DS TOKO SE PREPORUČUJE |
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| Nikon D850 PREPORUČANO |
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| Canon PowerShot G9 X Mark II NAJBOLJI PRORAČUN |
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1. Sony A7R IV
Pogledajte više recenzija
Izbor urednika- Dimenzije: 129 x 96 x 78 mm (5,1 x 3,8 x 3,1 in)
- Težina: 665 g (23,5 oz)
Novi Sony A7R IV je kamera bez zrcala koja ima nevjerojatnih 61 MP u svom senzoru punog kadra, nadmašujući Nikon D850 (45,7) i Canon 5DS R (50,6) u nastavku i postala kamera punog kadra najveće razlučivosti na tržištu.
Ako 61 MP nije dovoljno, A7R IV također dolazi s Pixel Shift Multi Shooting načinom snimanja koji može izbaciti slike do 240 MP. Za ovo ćete morati imati potpuno miran subjekt, ali nevjerojatna je značajka kada je scena prava za to.
Ali nećete trebati način rada pomicanja piksela da biste dobili zapanjujuću kvalitetu slike. A7R IV je možda jedini full frame fotoaparat koji bi mogao parirati fotoaparatu srednjeg formata u smislu ispisa visoke rezolucije. Slike su toliko dobre . Nije sve ni u rezoluciji. Novorazvijeni Exmor R CMOS senzor slike Sony A7R IV također dolazi s punih 15 stupnjeva dinamičkog raspona i izvanrednim performansama pri slabom osvjetljenju.
Govoreći o slabom osvjetljenju, Sony A7R IV dolazi sa širokim standardnim ISO-om od 100-32000, a čak i s povećanom količinom piksela daje neke slike s iznenađujuće niskim šumom pri višim ISO-ima, s prekrasnim dinamičkim rasponom – pogledajte zašto dinamički raspon ovdje je važno.
Brzi autofokus nije osobito važan u pejzažnoj fotografiji - drveće i planine ne kreću se prebrzo. Ipak, ako također snimate divlje životinje, autofokus Sony A7R IV je stvarno nevjerojatan, posebno s izvornim objektivima kao što su 16-35GM ili 70-200GM. Čak je bolji od A7R III, koji nije bio lijen.
Zapravo, sa 567 točaka autofokusa Sony A7R IV izbacuje ostale kamere visoke razlučivosti. (Za usporedbu, Nikon D850 ima 153 AF točke, Fujifilm GFX 50R 117, a Canon EOS 5DS R samo 61 AF točku.) Ovo nije velika stvar ako volite ručno fokusiranje ili snimate samo na stativu , ali ako također snimate divlje životinje, Sony A7R IV radi kao iz snova.
Ostala poboljšanja u odnosu na A7R III uključuju robusniju konstrukciju, poboljšanu otpornost na vremenske uvjete (bitno za fotografe pejzaža koji snimaju u nepovoljnim vremenskim uvjetima) i profinjenije kontrole. Sony je također poboljšao ergonomiju dajući A7R IV veći rukohvat i stavljajući okidač pod kut.
Tražilo punog kadra sada je svijetlo, lijepo i užitak je gledati u njega. Poput A7R III, LCD je velik i artikuliran, što ga čini lakim za komponiranje kad se koristi tronožac.
Brzina kontinuiranog snimanja od 10 fps (s međuspremnikom od 7 sekundi) sasvim je dovoljno brza za većinu potreba fotografiranja divljih životinja, a novi algoritam praćenja prilično je impresivan. Jednom kada se autofokus fokusira na subjekt, prati ga posvuda, čak i tijekom pomicanja.
To je osobito istinito ako ste skloni korištenju tražila, koje je, usput rečeno, 1,6 puta veće razlučivosti od A7R III.
Ipak, na kraju, ono čemu ćete se vraćati su nevjerojatne slike i vrhunska količina detalja koje ova kamera može snimiti. Prijelazi iz sjena u srednje tonove i iz srednjih tonova u svijetle tonove su neprimjetni (tj. dinamički raspon), bez ikakve pomoći ND filtara ili naknadne obrade.
Sony je zadnjih nekoliko godina dosljedno izbacivao objektive punog kadra vrhunske kvalitete za svoju liniju bez ogledala i sada postoji izvrstan izbor za odabir. U ponudi još nema tilt-shift objektiva (vjerojatno nisu toliko korisni za pejzažne fotografe), ali uskoro će doći i za sada uvijek možete koristiti adaptere.
Naravno, možda ćete dobiti bolju kvalitetu slike sa senzorom srednjeg formata, ali negdje oko 3500 dolara, A7R IV je daleko jeftiniji i mnogo prenosiviji. Zapravo, Sony A7R IV zapravo je najmanji i najlakši fotoaparat s izmjenjivim objektivom na ovom popisu.
Povrh svega ovoga, A7R IV je jednostavno zabavan. Jednostavan je za korištenje, brz, ima dobre performanse u gotovo svemu i ima kvalitetu slike zbog koje ćete poželjeti ispisivati reklamne ploče lijevo i desno od svojih slika. Sustav izbornika nije najbolji, ali uz sve ostalo što ovaj fotoaparat nudi, teško ga je brinuti.
Ovo bi mogao biti među najboljim fotoaparatima za pejzažnu fotografiju koje ćete pronaći. Vjerojatno ćete se zaljubiti u ovaj fotoaparat od trenutka kada otvorite kutiju, a kamoli od trenutka kada vidite svoje prve fotografije. A ako volite praviti velike printove? Jednostavno vau!
Sve u svemu, Sony A7R IV nije samo naš najbolji izbor za najbolju pejzažnu kameru 2022., već je i izvrsna sveobuhvatna kamera koja će briljirati bez obzira na to što snimate.
2. Fujifilm GFX 50R
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Izbor urednika- Dimenzije: 160,7 mm x 96,5 mm x 66,4 mm (6,33 x 3,80 x 2,62 inča)
- Težina: 775 g (27,3 oz)
Ako tražite najkvalitetnije ispise koje novac može kupiti, možda biste trebali prijeći s punog formata na fotoaparat srednjeg formata. Često koštajući desetke tisuća dolara, srednji formati već dugo nisu dostupni većini fotografa. Međutim, postoji nekoliko verzija fotoaparata bez ogledala, a među njima mislimo da je Fujifilm GFX 50R najbolji spoj kvalitete, performansi i cijene.
GFX 50R nudi 51,4 MP na punom senzoru srednjeg formata od 44 x 33 mm, a sve u kućištu koje je zapravo lakše nego standardni DSLR full frame fotoaparat. To je nešto manja razlučivost od Sony A7R IV, ali veličina senzora je veća kao i pojedinačni pikseli, što daje GFX 50R malu prednost u mnogim slučajevima za pejzažne fotografe.
Dok se 44 x 33 mm još uvijek smatra crop senzorom u svijetu fotoaparata srednjeg formata, on je znatno veći od senzora punog kadra (35 mm) i to čini svijet razlike (iznad veličine piksela). To je potpuno drugačije iskustvo snimanja. Potrebno je neko vrijeme da se naviknete, ali kada to učinite, možda se više nikada nećete htjeti vratiti ničem manjem.
U usporedbi s drugim Fujifilmovim srednjim formatima bez ogledala, Fujifilm GFX 50R uglavnom je smanjena verzija Fujifilm GFX 50S. To nije loša stvar, jer 50S također ima solidne performanse. GFX 50R samo je lakša, ergonomičnija verzija. Stil daljinomjera čini ga posebno kompaktnim, posebno kada je opremljen fiksnim objektivom. Također je potpuno zaštićen od vremenskih uvjeta i ocijenjen za rad do -10ºC, što ga čini izvrsnim za upotrebu na terenu.
Prvo što ćete primijetiti kod GFX 50R je koliko je lagan. Sa 775 g, 50 g je lakši od svog starijeg brata (50S) i 230 g lakši od Nikon D850. (Sony A7R IV još uvijek ga ima nadmašiti sa 665 g.) Naravno, objektivi srednjeg formata nužno su nešto glomazniji od objektiva od 35 mm, ali ovo je još uvijek impresivno prenosiv komplet.
Sada na pravo meso, i zašto je ovo najbolji fotoaparat za pejzažnu fotografiju ako imate proračun:kvaliteta slike. Ovdje je Fujifilm GFX 50R uistinu teško nadmašiti, barem po ovoj cijeni. Detalj je izvrstan, pogotovo kada je u pitanju površinska tekstura. Slike imaju izvanrednu oštrinu i jasnoću. Fotografije snimljene ovom kamerom su doslovno zapanjujuće.
Jesu li bolji od Sony A7R IV? To sve ovisi. Definitivno postoje situacije u kojima će GFX 50R proizvoditi superiornije slike od A7R IV. In other situations, the A7R IV works as well for landscapes and sometimes better, especially if you don’t always want to use a tripod to capture your shots.
While the GFX 50R’s 12 stops of dynamic range may not technically seem as impressive as the Sony A7R IV’s 15 stops, the medium format sensor actually gives the GFX 50R a slight edge. There’s an amazing amount of superb detail in the shadows, the transitions to midtones are smooth as butter, and I doubt you’ll ever lose an exposure due to blown-out highlights.
One bonus for long exposure photographers is the ability to dial in manual exposures of up to an hour without the need to switch to Bulb mode. The GFX 50R also meters and focuses extremely accurately in low light and has an EVF that performs exceptionally well.
For those who are fans of using ND filters, the EVF and low light focusing on the GFX 50R are so good, you can often meter, set the exposure, and focus on a subject all without taking off a 10-stop ND filter. The files from long exposures are amazingly clean and noise-free, making this one of the top cameras for long exposure night landscape photography.
If you’re looking for an all-around camera, though, the Fujifilm GFX 50R is probably not it. What it excels at is landscape photography (or photography where the subject is not moving). The autofocus, while extremely accurate, is slow. It also only shoots at 3 fps and has twice as much shutter lag as the Sony A7R IV.
This won’t bother the more methodical photographer or one who prefers manual focus, but if you’re looking for something that is “speedy” you’d be better off with the Sony A7R IV.
Another (potential) disadvantage is that there is currently a rather limited range of native lenses. Still, the essentials are now available and they’re all of excellent quality. Since you’re not looking for snappy autofocus with this camera, third party lenses via adaptors also work great.
One place where the 50R beats out the Sony A7R IV (other than in sensor size) is in the menu system. The Fujifilm GFX 50R’s intuitive, easy-to-use menus make the camera easy to set up, and changing settings is a breeze.
If you’re a fan of manual dials and how Fujifilm cameras feel in the hand, the GFX 50R doesn’t disappoint there either. In fact, a lot of photographers choose the GFX 50R over the Sony A7R IV on ergonomics alone.
In short, the Fujifilm’s GFX 50R is a superb landscape photography camera and one of the best Fuji cameras to date. You won’t find better image quality short of spending tens of thousands of dollars on a Phase One camera or something similar.
Definitely, the most affordable, high performing choice if you’re looking for medium format cameras for landscape photography.
3. Canon EOS 5DS R
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Izbor urednika- Dimensions: 152.0 x 116.4 x 76.4 mm (5.98 x 4.58 x 3.01 in)
- Weight: 930 g (32.80 oz)
Until the Sony A7R IV came out this year, the Canon EOS 5DS R was the highest resolution full-frame camera on the market. If you weren’t into medium format, this was the camera of choice – especially if you already had Canon lenses
Even now, while the Canon EOS 5DS R’s CMOS full frame sensor has fewer megapixels than the Sony A7R IV (50.6 MP vs 61 MP), the sensor is 21% larger (17.17µmvs 14.15µm ), evening things out a bit.
If you’re already in the Canon ecosystem and don’t want to upgrade to the EOS R mirrorless camera bodies, the 5DS R is the best camera for landscape photography in 2022.
You’ll love the impressive image quality – more than enough to print billboard-sized images – and the rock-solid durability of Canon’s 5D line really shines.
Like most of the other cameras on this list, the Canon EOS 5DS R is meant for professional landscape photographers who love to make high-quality prints. Bumping up to the EOS 5DS R, you’ll notice your work immediately gaining in clarity and definition. You’ll also see the level of detail nearly jump off the page, with no need to sharpen images in Photoshop after the fact.
To aid in capturing detail, the Canon EOS 5DS R has the option of cancelling out the low-pass filter, allowing every bit of detail to come out. Unlike the Sony A7R IV, if you want to turn the anti-aliasing low-pass filter back on, you can do that too.
Another feature important in landscape photography is the ruggedness of the camera itself. The Canon EOS 5DS R shines here. It might be considerably heavier than its mirrorless competition (930 g to 665 g), but its tough magnesium alloy construction and excellent weather sealing make it pretty much bomb proof in the outdoors.
For a lot of photographers, the solidness of the Canon EOS 5DS R’s grip and the way the camera body feels in the hand makes up for the extra weight. Unlike the Sony A7R IV, it has a top LCD screen. And while the main LCD screen doesn’t articulate like the A7R IV’s, it is somewhat larger, making it easier to see what you’re doing.
The easy-to-use menu system also adds to the beauty of this camera, something that Sony really needs to work on in their cameras.
Canon also has a number of excellent tilt-shift lenses available.
As far as price is concerned, at around $3700 the Canon EOS 5DS R is a fair competitor with the Sony A7R IV – especially if you already own a number of Canon lenses.
There are some areas where the Canon EOS 5DS R’s age shows, though. The number of autofocus points is way down (only 61 compared to the A7R IV’s 567), the max ISO is only 6400 (ISO range is only a consideration if you plan to shoot in low light), and the continuous shooting speed is only 5fps. There’s also no touchscreen or wifi/bluetooth/NFC connectivity, and battery life leaves a bit to be desired.
Also, the 5DS R is designed primarily for still photography. It doesn’t come with video-centric features like HDMI output or headphone sockets.
These features won’t matter if you’re exclusively a landscape photographer, but if you want to use your camera for other things, they might be deal-breakers.
Still, while the Canon EOS 5DS R may not be particularly brand new, it offers the highest pixel amount currently available on DSLR cameras. The ability to cancel out the low-pass filter effect is a huge boon (the primary distinction from its twin, the 5DS) and its full-frame sensor is substantially larger than what you’ll find in any mirrorless equivalent.
If you’re a landscape photographer and Canon DSLRs are your thing, then this is the best camera for landscape photography.
4. Nikon D850
Pogledajte više recenzija
Izbor urednika- Dimensions: 146 x 124 x 78.5 cm (5.8 x 4.9 x 3.1 in.)
- Weight: 915 g (32.3 oz)
Not to be left out, Nikon also has a star performer in the landscape photography world – the Nikon D850. It was released 2 years earlier than the Sony A7R IV but still comes with a number of modern functions like a touch screen and internet connectivity.
Currently retailing for less than $2800, the Nikon D850 (review) sports a 45.7 MP full frame sensor, which is more than enough for top-rate large-scale prints.
If you do an intense amount of low-light shooting and like to max out your ISO, the Sony A7R IV still wins out on the higher end, but for most landscape shooters the Nikon D850’s 64 – 25600 ISO (expands to 32-102400) is more than enough for stellar work. In fact, the base ISO of 64 of the D850’s (and the D810, its predecessor) is the lowest of any DSLR or mirrorless cameras on the market.
Nikon is doing wonderful things with their Z-series mirrorless camera models, but there’s definitely nothing wrong with opting for a DSLR like the Nikon D850 here in 2022. For one, native lens options are far more numerous and affordable.
While not exactly as snappy as the Sony A7R IV, the autofocus of the Nikon D850 is still quite impressive in its speed and more than enough for a general use camera, let alone for landscape photography. (It’s the second-fastest in this list.)
As far as the build is concerned, if you’re already a Nikon shooter, the Nikon D850 will feel like an old friend. The proven Nikon ergonomics feel good in the hand even to new users, and its button layout is both intuitive and comfortable. The buttons are also illuminated, which helps with changing settings when you’re out shooting at dusk or at night.
Other features DSLR users will appreciate is the substantially larger articulating LCD screen and the fact that the Nikon D850 has a top LCD. In fact, the Nikon D850’s LCD screen has a 63% higher resolution than the Sony A7R IV’s.
If you prefer to use the viewfinder, you’ll find the Nikon D850’s beautifully bright and detailed, offering a prime view of the landscape before you. For those who use strong ND filters, Nikon D850 also has a built-in eyepiece shutter for preventing light leakage.
Another feature of note is the Nikon D850’s incredible battery life – 1840 shots compared to the Sony A7R IV’s mere 670 shots. This can make a huge difference when out in the field. It also has excellent weather-sealing.
As far as in-camera features are concerned, the Nikon D850 doesn’t disappoint. It comes with all the features you would expect, plus a 7 fps burst mode, focus bracketing, 4k video recording and an exceptional 8k time-lapse mode.
Another serious plus is the rich selection of high-quality lenses to choose from. There are 304 lenses for Nikon D850’s Nikon F mount to choose from, 101 of which have optical image stabilization. This is helpful since the Nikon D850 doesn’t have its own in-camera stabilization.
Nikon also has a wide array of high-end tilt/shift lenses. So between those and the rest of Nikon’s impressive selection of top-of-the-line glass, you won’t be lacking in options. (If you’re not sure where to start, take a look at our best Nikon lenses for landscape photography page.)
Is the Nikon D850 a better choice for landscape photography than the Sony a7R IV? If you already own a number of full-frame Nikon lenses, absolutely. It’s also a great choice if you’re a pro who uses your camera every day, as the superior optical viewfinder and friendly ergonomics can make all the difference in the world.
The Nikon D850 also offers a higher value for the money. At just under $2800, you get a fantastic landscape camera that will work just as well in the studio. So if you’re price conscious, have already invested in the Nikon ecosystem, and/or you don’t need the A7R IV’s extra features, the Nikon D850 is definitely a worthy choice.
5. Canon PowerShot G9 X Mark II
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Izbor urednika- Dimensions: 99.06 x 58.42 x 30.48 mm (3.9 x 2.3 x 1.2 in)
- Weight: 206 g (7.3 oz)
No landscape camera list would be complete without something for ultralight hikers and backpackers who want something they can take on the trail. Enter the Canon Powershot G9 X Mark II, the best camera for landscape photography if you’re on a strict budget.
The Canon Powershot G9 X Mark II is a slim, pocket-size compact camera with a 20-megapixel 1-inch sensor and a 28-84mm equivalent lens. It’s literally the smallest, lightest point-and-shoot with a 1-inch sensor on the market. At just 206 g, the Canon Powershot G9 X Mark II is literally about the size of a pack of cards.
Honestly, the Canon Powershot G9 X Mark II is so tiny and light, you’ll hardly know it’s there. At the same time, the build feels extremely solid.
Canon does compromise a bit on lens quality in order to get such a tiny profile. Both the equivalent focal range (28-84mm) and its and low-light capabilities are rather limited when compared to those on other pocket cameras, but in return, the G9X II is the slimmest camera of its type. At just 31mm thick you’ll hardly notice it in a shirt or jeans pocket.
While not the widest angle, the 28mm at the wider end of the focal range will still grant ample wide angle coverage for landscapes. The ISO range of 125-12,800, while not excessive, is also decent.
The 1″ sensor is the same as that used in Canon’s more expensive Powershots and performs admirably well. Images come out nice-looking with excellent color and contrast. It also performs reasonably well in low-light situations.
One of the ways Canon kept the Powershot G9 X Mark II so small is by relying almost exclusively on the touchscreen for control. This will be quite familiar for those upgrading from a smartphone.
Other features include the ability to shoot continuously at a speed of 8 fps, respectable subject tracking, image stabilization, and Wi-Fi with NFC and Bluetooth connectivity.
At just under $400, the Canon Powershot G9 X Mark II is a great entry-level compact for casual landscape photographers. The image quality is good and it’s a camera of choice for backpacking trips where space and weight matter.
If you’re wanting something a bit higher class and don’t mind adding a few ounces, I’d recommend stepping up to the PowerShot G7 X II. It’s only about $200 more and you get a much better lens and less of a smartphone feel.
That being said, the price, size and weight of the Canon PowerShot G9X Mark II really can’t be beaten. You could go for a jog and not even feel it in your pocket. It’s our budget camera option for landscape photography in 2022.
Često postavljana pitanja
What camera should I buy for landscape photography?
Our top pick for a camera if you want to shoot landscape photography is the Sony A7R IV. With an impressive 61 MP, 15-stop wide dynamic range, and extraordinary autofocus performance, the A7R IV will help you nail your landscape shots every time.
Is Canon or Nikon better for landscape photography?
Both Canon and Nikon produce great options for landscape photographers, so which one produces the best camera really comes down to your personal preferences and needs. The Canon EOS 5DS R is a great option for those invested or wants to invest in the Canon ecosystem, while our top pick from Nikon would be the Nikon D850 – another star performer when it comes to landscape photography.
How many megapixels do I need for landscape photography?
Few cameras on the market today have less than 16 MP, and even those have a high enough resolution to capture quality images. That said, the higher the megapixels, the better equipped your camera is for producing impressive quality images and large-scale prints. The Sony A7R IV, for example, has a whopping 61-megapixel sensor, making it a top choice for serious landscape photographers.
Are mirrorless cameras good for landscape photography?
Yes – a lot of mirrorless cameras are just as equipped for landscape photography as DSLRs. In fact, they offer advantages such as being smaller and lighter and thus easier to take on travels, hikes and adventures.
Završne riječi
So there you have it – 5 incredible cameras to choose from to take with you on your next outdoor adventure.
Armed with one of the best camera models in this guide and a lens or two, there’s really no excuse for capturing the great outdoors in all its glory.
Remember – whether you own one of these cameras or not, the important thing is that you get out there and start shooting.
Happy snapping!